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HeimBransinnKvikmyndasjóðir Evrópu ættu að draga úr skriffinnsku og taka ákvarðanir hraðar, segir...

Kvikmyndasjóðir Evrópu ættu að draga úr skriffinnsku og taka ákvarðanir hraðar, segir í nýrri skýrslu

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Taka þarf evrópsku kvikmyndastuðningskerfin til gagngerrar endurskoðunar segir meðal annars í nýrri skýrslu sem unnin var á vegum Film i Väst og skoðar ítarlega stöðu kvikmynda- og sjónvarpsframleiðslu í Evrópu.

Screen fjallar um málið, en hér má lesa skýrsluna í heild:

Public film funders in Europe need to adapt to an industry now driven by global streaming companies, staying relevant by encouraging smarter collaborations between the public and private sectors; thinking differently about theatrical windows; investing in diversity and inclusion; and cutting bureaucracy and making quicker decisions.

The recommendations are part of a groundbreaking new report from Sweden’s regional organisation Film i Väst, about the future of public funding for films and other audiovisual works called ‘Public Film Funding at a Crossroads’.

The pan-European study interviewed more than 700 experts individually and also hosted several dozen workshops and focus groups – talking to a further 3,000 industry members – including representatives of funders, film and drama series producers, distribution, sales and marketing experts as well as executives from major streaming companies. The research will also be used for 10 specific territory reports (such as one focusing on Eastern Europe) that will also launch this month.

The report examines how many players are adapting to the European film ecosystem’s ongoing evolution from the ‘old world’ of patchwork financing (including soft money) for independent cinema releases to the ‘new world’ driven by streamers who can fully finance projects and take that content directly to an online audience. Related issues include tough times for most arthouse cinema releases; windows shifting; independent producers struggling to hold onto intellectual property (IP) to build their businesses; capacity issues for skills and talent; and consolidation amongst key players.

The next steps recommended for public funders include:

    • Rethinking former and present objectives
    • Being (even) more active in their dialogue with politicians, civil servants, and policymakers
    • National and bigger regional film agencies to engage in in-depth analysis of present and future shortages of skilled industry workers at all levels
    • Consider a strategic and stable approach to the ‘grey zone’ (works that will involve both public funding and streamers, see below)
    • Consider offering more long-term collaborations linked to identified production companies and possibly creators
    • Engage in the issue of windowing with the aim of maximising the audience outcome for each title
    • Support systems to make a distinction between cinema films and films with alternative distribution model to deal with the overproduction
    • Engage in issues such as diversity and inclusion
    • Public film financiers should work together to create new flexible models for international collaborations for financing primarily artistically important works

Exploring the ‘grey zone’

Tomas Eskilsson, Film i Väst’s head of strategy who spearheaded the report, tells Screen that some public funders’ forward-thinking measures have been “a bit ad hoc, not always based on overall thinking.” He said some bright spots include the Norwegian Film Institute trying to initiate new ways of thinking; and the Danish Film Institute and Filmforderung Hamburg Schleswig-Holstein trying to improve their systems to work more quickly with less paperwork.

Some funds are also exploring the ‘grey zone’ between the old world and new world ways of funding and distributing content. “Some funders are really interested in this grey zone, where streaming giants or VoD services are giving a value to the content with global dissemination, but you can still try to keep your own territory rights, and that works fine,” Eskilsson says.

He adds that more of the film ecosystem needs to embrace this grey zone. “We cannot think black and white, we cannot think good and enemy. We need to understand the logic of the VoD services.

Film i Vast plans to regularly update the report to keep ahead of new developments, including research into more parts of Europe and the changing roles of public service broadcasters.

They plan to also further investigate grey zone projects, which can be hard to track because those deals aren’t as transparent.

HEIMILDScreen
Klapptré
Klapptré
Klapptré er sjálfstæður miðill sem birtir fréttir, viðhorf, gagnrýni og tölulegar upplýsingar um íslenska kvikmynda- og sjónvarpsbransann. Ritstjóri er Ásgrímur Sverrisson.

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